Jacques Tati’s gloriously choreographed, nearly wordless comedies about confusion in an age of high technology reached their apotheosis with PlayTime. For this monumental achievement, a nearly three-year-long, bank-breaking production, Tati again thrust the lovably old-fashioned Monsieur Hulot, along with a host of other lost souls, into a baffling modern world, this time Paris. With every inch of its superwide frame crammed with hilarity and inventiveness, PlayTime is a lasting record of a modern era tiptoeing on the edge of oblivion.
Playtime
Playtime (stylized as PlayTime and also written as Play Time) is a 1967 Italian-French comedy film directed by Jacques Tati. In the film, Tati again plays Monsieur Hulot, the popular character who had central roles in his earlier films Les Vacances de Monsieur Hulot (1953) and Mon Oncle (1958). However, Tati grew ambivalent towards playing Hulot as a recurring central role during production; he appears intermittently in Playtime, alternating between central and supporting roles.
Shot on 70 mm, the work is notable for its enormous set, which Tati had built specially for the film, as well as Tati's trademark use of subtle yet complex visual comedy supported by creative sound effects; dialogue is frequently reduced to the level of background noise.
Playtime is considered Tati's masterpiece and his most daring work. In 2022, Playtime was 23rd on the British Film Institute's critics' list and 41st in their directors' list of "Top 100 Greatest Films of All Time". The film was a financial failure upon release but is now widely regarded as one of the greatest films of all time.
Definition from Wikipedia – Playtime